Hamid Sound / encyclopedia
Event production encyclopedia
Practical definitions and planning advice for live sound, lighting and staging.
Input list
An input list names the microphones, instruments and playback sources that need connections to the sound system. Use it alongside the stage plot.
Monitor mix
A monitor mix is the sound a performer hears on stage. Learn how it differs from audience sound and what monitoring needs to put in the artist brief.
Backline
Backline is the onstage instrument equipment an act uses, such as amplifiers, drums or keyboards. Confirm exactly who supplies each requested item.
Changeover
A changeover is the transition between acts or programme segments. Plan equipment resets, microphone handovers and checks before the next performance.
Run of show
A run of show is the working event schedule for the crew, with timings, segment owners and production notes beyond the audience programme.
Cue sheet
A cue sheet lists the signals and actions for sound, lighting, video or stage movements. Give each cue a clear trigger and a named caller.
Stage manager and show caller
Stage coordination and cue calling keep the programme moving. Define the roles, decision-making authority and technical contacts for your event.
Wireless microphone
A wireless microphone uses a transmitter and receiver to carry audio without a microphone cable. Brief the number of users, movement and event layout.
DI box
A DI box helps connect certain instruments and playback sources to a sound system. Identify the device and outputs so the engineer can plan the connection.
Playback
Playback is prerecorded audio or video used during an event. Plan the approved files, device, operator, start cues and handover to live performers.
Lectern microphone
A lectern microphone captures a speaker presenting from a fixed position. Plan the lectern, speaker movement, rehearsal and microphone handovers together.
Site recce
A site recce is a planning visit to the proposed venue. Record the actual event space, equipment access, production positions and unanswered questions.
PA system
A PA system carries sound from microphones and instruments to the audience. Learn how to brief coverage, inputs and onstage monitoring for a live event.
Line array
A line array is a vertical group of speaker modules working together to cover an audience. Learn which venue and layout details to include in your brief.
Front of house (FOH)
Front of house (FOH) is where the engineer mixes audience sound. Learn why its position matters and how to plan the console area in your venue layout.
Soundcheck
A soundcheck gives performers and engineers time to check inputs and onstage sound. Learn how it differs from a line check and plan for multiple acts.
Technical rider
A technical rider lists an artist’s production requirements. Learn what to include, who should approve changes and how to prepare for a multi-act show.
Stage plot
A stage plot maps performers, instruments, microphones and monitors. Learn how to label positions and keep the diagram consistent with your input list.
Load-in
Load-in is the time for bringing equipment into a venue and setting up. Plan access, unloading and crew arrival around rehearsals, soundcheck and doors.
Lighting cue
A lighting cue is a planned change for an entrance, transition or performance moment. Learn how to write a clear trigger and prepare a useful cue sheet.
DJ booth
A DJ booth brings together playback equipment, connections and monitoring. Learn what to confirm with the DJ and how to plan transitions between acts.